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Londres BBC 1974

12 February 2016

This recording carried out on the 14 of March 1974 in the London BBC studios, is a marvellous and unhoped-for gift which has been given.to us. It is a miracle to be able to listen, with excellent sound quality, to ” THEUSZ HAMTAAHK ” and ” KOHNTARKOSZ “, those magmaian masterpieces, in unique versions, played by the group which was at the origin of their creation. If the successive versions played by the MAGMA of 75-76 are most familiar for us, these which are offered to us here, are of major interest on several levels: first of all, their structure, which at that time was not yet finalised, and comprised sequences which were either arranged thereafter in a different way, or removed; and their execution, with a “THEUSZ HAMTAAHK ” whose slowness of tempo is equalled only by the violence contained therein, and a ” KOHNTARKOSZ” where the magic of the dual keyboards brings to this piece an alternative which is as spellbounding as that generated at the Tavern of Olympia the following year by the divine flights of Didier LOCKWOOD’s violin. Lastly, these two pieces allow us to appreciate, for the first time under ” live “conditions , a band, welded around the tandem of Christian VANDER/Jannik TOP, whose exceptional value has perhaps been a little forgotten in the intervening years.

Mekanïk Kommandöh 1973

12 February 2016

MEKANIK DESTRUKTIW KOMMANDOH is considered by many to be the ultimate MAGMA masterwork. A live version recorded in Bordeaux, 2 month before starting the original studio version.

Depuis la première courte version, gravée durant l’été 71 sur la compilation “PUISSANCE 13 + 2”, jusqu’à la version présentée au printemps 73 sur l’album du même nom, “MEKANIK DESTRUKTIW KOMMANDOH” a connu un long mûrissement. Dernière étape avant la version définitive, la version proposée sur “MEKANIK KOMMANDOH”, enregistrée en Janvier 73, est le reflet du concert donné par MAGMA lors du festival Sigma de Bordeaux deux mois auparavant. Son intérêt réside dans la présence des choeurs magnifiques de l’orchestre de la STORCKHAUS venus renforcer Stella et Klaus, ainsi que dans la facture essentiellement acoustique de son

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